Dimensions: 20 x 16 x 1.5
Media: Print of digital art
Artist Statement : Bones are mysterious and alluring. They are evidence that even the most time lost species existed. When faced with the looming reality of extinction all I can do about it is paint or write. Even more so when faced with the end to our home’s ecosystems. We do not care for the creatures that lie in the same biomes as us. We choose to believe we are separate from nature despite our relation to every living thing on this earth. Meanwhile I contort my mind and body to fit in a society that causes slow destruction. Pouring over a tablet, I become ever more hunched until I evolve back into a shrimp. I’m an artist to likes to connect humans and animals in art. My main goal is to make you feel for them as I do.

Dimensions: 50 x 70 x 2
Media: Cardboard and Paper

Media: AI, Webcam, Code
Artist Statement : My goal is to challenge the traditional understanding of data by utilizing AI to unlock its potential and create something entirely new and unexpected. Through my work, I hope to show how data can be used to create visualizations that capture the complexity, beauty, and strangeness of our data-driven world.

Dimensions: 20 x 16 x 0.25
Media: Acrylic & Oil
Artist Statement : Exploring the relationship between color and emotion, this expressive self portrait study invites the viewer to piece together the fragments that make up the wide spectrum of human thoughts and feelings.

Dimensions: 31 x 31 x 10.5
Media: Multiple layers of enamel paint, oil paint and metallics on a wood structure with an iron oxide coating. Various “weathering” techniques, such as a rust ‘activator’, an oil-based paint wash and dry-brush, are applied to certain areas. Additional components may be constructed of cast resin and machined metal parts. The final piece is sealed with a lacquer coating.
Artist Statement : “ Our scientific power has outrun our spiritual power. We have guided missiles and misguided men.” Dr Martin Luther King 1963 The Vitruvian Man represents the Renaissance and the origins of the Modern Era of science, invention, technology and art. Much like Leonardo placed his Vitruvian Man at the center of a circle representing God's creation of the universe, Renaissance Man 2.0 exists at the center of the metaverse - a universe of our own creation governed by a new god – Artificial Intelligence.

Dimensions: 6 x 6 x 1
Media: My Anatomical Journal: Notes from the Body in the 21st Century is a six-spread pop-up book inspired by antique medical books. The journal features anatomical flaps and pop-ups exploring various systems (ocular, auditory, musculoskeletal, and circulatory/respiratory) as well as the human skull and hand.The book is also accompanied by a soundtrack of first-person accounts of the body as it is experienced through health, illness, and accident, typically, atypically, ever-changing. For the exhibition, this will be provided through an MP3 player and headphones
Artist Statement : I am an artist and educator whose work explores fairy tales, the body, graphic and narrative medicine, as well as collective storytelling practices through mechanical books that combine animation and paper craft. My interests are in combining technology, traditional book arts, and sequential storytelling to create new forms of narrative for the 21st century. My movable books can be found in museum, library, and university collections internationally including the San Francisco Museum of Modern Art, the Library of Congress, the British Library, Children’s Literature Library of the Staatsbibliothek zu Berlin, Boston Public Library, Cooper-Hewitt Museum Library, Harvard Medical School Countway Library, Savannah College of Art & Design, School of the Museum of Fine Arts at Tufts University, Scripps College, the Struwwelpeter Museum, Swarthmore College, the University of Pennsylvania, The Wellcome Collection, as well as many private collections.

Dimensions: 29 x 18 x 0.25
Media: Anatomical FlapBook, Popup book, Digitally printed
Artist Statement : I am an artist and educator whose work explores fairy tales, the body, graphic and narrative medicine, as well as collective storytelling practices through mechanical books that combine animation and paper craft. My interests are in combining technology, traditional book arts, and sequential storytelling to create new forms of narrative for the 21st century. My movable books can be found in museum, library, and university collections internationally including the San Francisco Museum of Modern Art, the Library of Congress, the British Library, Children’s Literature Library of the Staatsbibliothek zu Berlin, Boston Public Library, Cooper-Hewitt Museum Library, Harvard Medical School Countway Library, Savannah College of Art & Design, School of the Museum of Fine Arts at Tufts University, Scripps College, the Struwwelpeter Museum, Swarthmore College, the University of Pennsylvania, The Wellcome Collection, as well as many private collections.

Dimensions: 14 x 6 x 6
Media: 3D Printed ABS on Alabaster Base
Artist Statement : The Noble Woman is inspired by traditional Roman sculpture and uses a lattice structure to balance the internal and external space of the sculpture. It investigates the boundary between the surface and what supports the sculptural surface. The investigation started with exploring how the space was used for the lost wax casting in bronze sculpture and how new technology, such as 3d printing and lattice structure modeling, can be used as an aesthetic part of the sculpture. The broken areas of the sculpture that show the internal structure are carefully crafted to follow the main lines of the face.

Dimensions: 14 x 6 x 6
Media: 3D Printed ABS on Alabaster Base
Artist Statement : Hercules is a sculpture that uses an innovative lattice structure to create a dialogue between the internal space and the external form of the sculpture. The TPMS used for the module well interact with the openings of the bust. The sculpture is connected to an alabaster base.

Dimensions: 24 x 18
Media: Mixed: Paint, pastel, crayon, metallic glazes, photography, other.
Artist Statement : There is nothing quite as identifiable as the human face. From Nefertiti to Mona Lisa to Warhol’s Marilyn – we enjoy looking at the images of our own species more than anything. All artists depict the faces around them, in portraits or in abstraction. It all means something and we will spend endless minutes trying to decide what, exactly, is going on here… And I am no different. In my work I try to create a kind of enhanced reality using photographs that I have taken along with paint, metallic glazes, crayon, pastel and a variety of less conventional media to bring my vision forward in my artwork. You will see what I see. While I use my own photographic images, there is no use of digital art effects or scanning, no reproductions of finished pieces, no multiple editions. Each completed piece is unique and hand-made, a one of a kind finished multimedia artwork.

Dimensions: 24 x 18 x 1
Media: Mixed: Paint, pastel, crayon, metallic glazes, photography, other
Artist Statement : There is nothing quite as identifiable as the human face. From Nefertiti to Mona Lisa to Warhol’s Marilyn – we enjoy looking at the images of our own species more than anything. All artists depict the faces around them, in portraits or in abstraction. It all means something and we will spend endless minutes trying to decide what, exactly, is going on here… And I am no different. In my work I try to create a kind of enhanced reality using photographs that I have taken along with paint, metallic glazes, crayon, pastel and a variety of less conventional media to bring my vision forward in my artwork. You will see what I see. While I use my own photographic images, there is no use of digital art effects or scanning, no reproductions of finished pieces, no multiple editions. Each completed piece is unique and hand-made, a one of a kind finished multimedia artwork.

Dimensions: 12 x 12 x 1
Media: Mixed media (photography, digital art, and collage; archival pigment print on premium deckled fine art paper professionally mounted and framed with hanging wire system)
Artist Statement : Nourished Threads reimagines an intimate moment of childhood through digital pattern-making. The portrait centers on a simple act of self-feeding—a universal gesture of growing autonomy. The surrounding pattern, extracted and transformed from the original photograph's background, evokes both traditional textile designs and contemporary glitch aesthetics. By processing and repeating elements from the source image itself, the work suggests how our remembrances of childhood moments become abstracted and stylized over time. This digital weaving transforms the snapshot into a meditation on how cultural identity and heritage are passed down through daily rituals of nourishment. Through this marriage of candid portraiture and computational pattern-making, the piece preserves and transforms intimate memories into a portrait where sustenance flows through both physical and metaphorical threads.

Dimensions: 10 x 8
Media: Painted paper on board
Artist Statement : This is the same woman but in a 5 color collage.

Dimensions: 30 x 30 x 1.5
Media: Hex-based patterned self portrait on paper, acrylic sheets, stainless steel fasteners.
Artist Statement : “Hot and Delicious” reimagines my self-portrait as a layered exploration of identity, desire, and consumption. This 48-inch square composition of four 24-inch panels features my repeated image surrounded by empty pizza boxes, merging rhythm, fragmentation, and multiplicity. The repetition of my face becomes a meditation on cycles of sustenance and societal expectations, creating a portrait that is both intimate and universal. The pizza boxes—symbols of nourishment, indulgence, and waste—reflect the tensions between fulfillment and emptiness, comfort and critique. This work examines identity as both curated and consumable, revealing how self-expression is shaped by external perceptions and internal contradictions. By using repetition to interrogate these dualities, Hot and Delicious invites viewers to consider the complex nature of human expression and the layers of meaning within self perception and expression.

Dimensions: 5.5 x 3 x 3
Media: Glazed stoneware
Artist Statement : I am blessed with the gift of Madness. My extreme experience of emotions extend my ability to understand the human condition & my love of clay has helped to release universal themes that connect people worldwide. These masks are portraits of the ghouls that haunt us due to personal or collective traumas. They are not people, but rather the ghosts that rise up within us all when an inexplicably huge feeling takes hold. "Not Today" is an angry, exasperated ghoul with a stern look, a long hooked nose, and deep age wrinkles. It's the feeling I get when I hear of another executive order robbing rights and services from myself and loved ones.

Dimensions: 8 x 8
Media: Ink, water media, markers, vellum on watercolor paper
Artist Statement : My self-portrait uses Marking & Mapping--and has evolved from earlier versions with later layering of grey ink on vellum.

Dimensions: 36 x 36
Media: Acrylic and charcoal
Artist Statement : Windows is my carefully curated collection of paintings, presents a powerful visual representation of my personal transformation, with each piece symbolizing a critical chapter in my life's story. The creative journey has been a transformative and therapeutic experience, allowing me to explore the intricacies of my character, confront my vulnerabilities, and examine the complexities of human nature through the expressive languages of acrylic paint and charcoal. I’m excited to embark on a thrilling adventure of self-discovery, fueled by creativity and a desire for growth. By exploring the depths of my emotions and harnessing the power of diverse influences, I bring forth innovative paintings that reflect the exciting possibilities unfolding before me. By employing intentional brushstrokes, subtle layering, and nuanced textures, I strive to craft visuals that are simultaneously enigmatic and thought-provoking, encouraging viewers to engage with the artwork on a deeply personal level.

Dimensions: 22 x 10 x 1.5
Media: archival pigment print on fine art paper
Artist Statement : Adoledcence brings our first stab at individualism or perhaps its opposite, conformity. How we present ourselves tells it all.

Dimensions: 4 x 16
Media: Digital Photography
Artist Statement : 1943 was the year of increasing persecution of Jews and other minorities by the Nazis.

Dimensions: 15 x 12
Media: Digital Photography
Artist Statement : Can you see me?